Great Western Wall
GREAT WESTERN WALL, 1987
Civitella d’Agliano, Viterbo, Italy
Black and white photography and silicon on 400 tuff bricks
m 10x7
General view
GREAT WESTERN WALL, 1987
Civitella d’Agliano, Viterbo, Italy
Black and white photography and silicon on 400 tuff bricks
m 10x7
Detail
GREAT WESTERN WALL, 1987
Civitella d’Agliano, Viterbo, Italy
Black and white photography and silicon on 400 tuff bricks
m 10x7
Day time view of the town and installation
GREAT WESTERN WALL, 1987
Civitella d’Agliano, Viterbo, Italy
Black and white photography and silicon on 400 tuff bricks
m 10x7
Night time view of the town and lit installation
GREAT WESTERN WALL, 1987
Civitella d’Agliano, Viterbo, Italy
Black and white photography and silicon on 400 tuff bricks
m 10x7
Location before the work was accomplished
ABOUT THIS WORK
Permanent installation, Great Western Wall was inspired by the original medieval wall surrounding Civitella d’Agliano, a small commune in Viterbo, Italy. While onsite leading a workshop, Wolf was struck by the relationship between the city’s historic wall and its surrounding badlands. The stones in the surrounding valley act as a portal to the city in the same way that the old door in the medieval wall connects the exterior of the city to its interior. These two architectural tropes — mingling the natural and the man made — employ a parallel structural logic of transition, one into the other. Always attuned to the possible effects of light, Wolf highlighted this recurrence by photographing a stretch of clay furrows in the surrounding valley and affixing the image to the original wall of Italian tuff stones. What we are left with is a black and white fragment of the architectural landscape superimposed upon the wall that generates a repeated image of the surrounding area through the reflection of light. At the same time, light is transmitted back onto the surrounding badlands, continuing the symbiotic relationship between city and valley.
GREAT WESTERN WALL, 1987
Stampa alla gelatina d’argento e silicone posata e ritagliata su 400 blocchi di tufo
Civitella d’Agliano, Viterbo, Italy
Grande Muro Occidentale è un’opera realizzata per le antiche mura medievali che circondano la città. Mentre si trovava sul posto a dirigere un workshop, l’artista si è ispirato al rapporto esistente tra le le mura e i calanchi che le circondano. Le pietre della vicina valle rappresentano una sorta di portale rivolto alla città, così come l’antica porta ne mette in collegamento l’esterno con l’interno. Wolf ha evidenziato questa continuità fotografando un tratto dei solchi argillosi della valle circostante per poi applicarne l’immagine sagomata al muro originale di pietre in tufo, evidenziandone così la struttura ordinativa. Il risultato è un frammento in bianco e nero del paesaggio, un’immagine simbolica d’architettura astratta visibile a chilometri di distanza La luce riflessa dalla grande immagine si trasmette ai calanchi circostanti prolungando il rapporto simbiotico tra arte e natura, valle e città.
RELATED
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Giorgio Verzotti: Pietre di Carta
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Pierre Restany: Civitella D'Agliano Discovered Its Truth
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Book: On the Threshold
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Artist's writing: Installations: Artist’s Statement