Double Doors
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
DOUBLE DOORS, 2016
Jewish Theological Seminary, New York
Back-lit UV ink-jet print on films applied to 8 windows and 8 glass doors
m 7.7x4.2
ABOUT THIS WORK
The Jewish Theological Seminary solicited a proposal from Wolf for their yearlong exhibition, Traversing Tradition: Transformation in and of Contemporary Jewish Life. Wolf’s Double Doors emerged as a reaction and reflection upon the institutions impending renovation of its world-renowned Judaica library. After spending time in the library and considering its surrounding environment, Wolf lined the doors and windows of the institution’s glass entryway with adhesive films of translucent imagery symbolically referencing the library’s soon to be missing book stacks. The images, portraying fragments of the original library as they were captured in film negatives, were installed opposite a silhouette of a tree alluding to the Tree of Life, a meaningful symbol in Jewish culture and also the emblem of The Jewish Theological Seminary. The work transformed the façade of the institution into a threshold between nature (symbolized by the tree) and culture (symbolized by the books) and offered passersby the opportunity to meditate upon the inheritance of tradition and the free will that accompanies the acquisition of knowledge. The piece brought key tenants of the institution’s mission— acknowledging history and engaging contemporary society—to the community at large.
Rebecca Pristoop
Silvio Wolf utilizza immagini in movimento, proiezioni fisse, luci e suoni per creare installazioni che coinvolgono la storia dei luoghi. In quest’opera, intitolata Double Doors, Wolf ha trasformato l’ingresso pubblico del Jewish Theological Seminary in una soglia esperienziale di studio e spiritualità ebraica. Ispirandosi alla ristrutturazione della biblioteca, Wolf ha rivestito le porte e le pareti vetrate dell’ingresso con immagini traslucide su pellicole adesive ispirate simbolicamente agli scaffali della biblioteca. Queste immagini interagiscono in controluce con una grande sagoma nera che allude all’Albero della Vita. La percezione più intima si ha nel vestibolo tra le doppie porte a vetri che si aprono sulla strada, dove lo spettatore è invitato a varcare la soglia tra natura e cultura, per contemplare il rapporto tra tradizione e libero arbitrio che accompagna l’acquisizione della conoscenza. Mentre la luce naturale muta in quella artificiale e il giorno nella notte, Double Doors trasforma la facciata e l’ingresso del JTS in uno spazio partecipativo di meditazione tra le attività quotidiane della vita pubblica della Città.
Curatela e testo: Rebecca Pristoop
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